• CV
  • Contact
  • Work
    • Seed buried in the curve
    • T-Bone Walker Blues (Final)
    • T-Bone Walker Blues (ghost print)
    • T-Bone Walker Blues (First State)
    • Lightnin’ Hopkins’ guitar grips the edges of the night
    • Muse Tornado
    • Amped Sculpture
    • Amped
    • After Rothenberg's Horse
  • Feelin' good, feelin' allright
  • Devolving Part 1
  • Devolving Part 2
  • Devolving Part 3
  • Embroidery
  • Menu

ELAINE FERGUSON

  • CV
  • Contact
  • Work
    • Seed buried in the curve
    • T-Bone Walker Blues (Final)
    • T-Bone Walker Blues (ghost print)
    • T-Bone Walker Blues (First State)
    • Lightnin’ Hopkins’ guitar grips the edges of the night
    • Muse Tornado
    • Amped Sculpture
    • Amped
    • After Rothenberg's Horse
  • Feelin' good, feelin' allright
  • Devolving Part 1
  • Devolving Part 2
  • Devolving Part 3
  • Embroidery
20130731_Trade 100_0196.jpg

SoHo, NYC

November 09, 2013 in Streets

SoHo is home to the world’s greatest collection of cast-iron architecture. But more than that, SoHo is unique among New York’s neighborhoods for its classical French and Italian architectural designs. It simply doesn’t look like anywhere else, not even the neighboring West Village or Lower East Side. 

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20130731_Trade 100_0229.jpg

For one thing, the colors are much more distinct in SoHo. They’re brighter. Perhaps that’s a reflection on the people living here. But for many of the cast-iron buiildings that give SoHo it’s unmistakable character, the reason for their bright coloring is actually pretty obvious: whenever you construct anything from wrought iron, it’s going to look like, well, wrought iron.

So the colors of SoHo as they’re known, or at least as they ought to be known, the colors that are just a street photographers dream come true (where else can you find so many amazing backdrops?), are actually the result of many, many coats of bright paints. And they light up a photo in ways even a flash cannot.

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